Roger Boltshauser’s artistic work cannot be explained without referencing his architectural work, equally it is hardly possible to fully understand  his architecture without considering his artistic work. Our task was to illustrate this and, at the same time, to depict his method of responding to design questions and the consistently practiced interference of architecture and art.

Roger Boltshauser entrusted Atelier Andrea Gassner with the graphic-scenographic design of his exhibitions and prints. In its work, the studio spins this interplay between architecture and art further. For example, the cover of the 500-page monograph “Roger Boltshauser” is not decorated with a striking architectural image, but with one of his dominant sketches.

This sketch connects to the exhibitions of Roger Boltshauser’s work: In 2021, the monograph – edited by Martin Tschanz and already out of print – was presented at the Architektur Galerie in Berlin, as were various other sketches. In the exhibition at the Galerie d’Architecture in Paris in 2022, this sketch in turn transformed the entrance into a room-sized, walk-in drawing. Architectural models stood like sculptures on mighty black pedestals. Sketches and plans were connected to each other by the same deep wooden frames, as well as by a hanging that spanned the wall. On a filigree metal shelf, selected material samples created the link between the depicted and the material.

The Paris show is now moving on, if you will, to the Architekturgalerie am Weissenhof in Stuttgart. But the photographs will not simply be taken down here and hung up there again, the models and the earth samples will be reined in. No, the construction continues. Layer by layer, Stuttgart on Paris on Berlin, the places themselves become part of the history and the development of “RESPONSE”. In Stuttgart, the large-format picture panels show photographs of the photographs from the Galerie d’Architecture in Paris.
But it is not just that the photographs document the previous exhibitions, but the models, sketches, and plans also expand and enrich each subsequent exhibition layer by layer with new content and perspectives. And of course the texts.