Incised illustrations drawn with a thick pencil, painted with inks and made directly on offset panels are one of Reinhard Gassner’s favourite areas of experimentation. He is interested in the analogous, the direct, the same size. Editions of 1000 and more represent no problem for printable works on panels: the erosion caused by abrasion is intentional and very much desired. In mixed forms Gassner often connects these lithographic approaches with standard offset printing through which static elements such as lettering or logos are introduced.